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Like the 'Ananta-Vasudeva'
and 'Yamesvara' temples, the Sari
Deul is noted for its minute carvings. Its narrow courtyard is enclosed by
a low compound-wall. The risen level of the surrounding ground conceals
part of the 'Bada', with the result that the latter looks stunted and
disproportionate, marring the architectural effect of the temple.
Description Of The Duel
The plan of the 'Deul' is 'Sapta -Ratha'. The facets of the 'Jangha are
relieved with meandering creepers, flowers and scroll-work, often
containing animal-figures, the central facets being further distinguished
by 'Khakhara'- and 'Pidha-Mundis'. The corner 'Khakhara-Mundis' on the
lower 'Jangha' contains the eight 'Dikpalas', the corresponding
'Pidha-Mudis' having their female counterparts. Of the 'Parsva-Devatas'
only the chlorite image of Parvati is extant.
The 'Jagamohana' closely follows the 'Deul' in decorative details. The
balustraded windows, without any opening, are only ornamental, and
considerable skill is displayed in their embellishment. The balusters on
the south side are relieved with dancers, while those on the north with
musicians. The niche above the south window contains a royal procession
with the king seated on an elephant and surrounded by infantry, cavalry
and elephants.